Repository: Michael Schwartz Library Special Collections
Creator: Cleveland Performance Art Festival
Title: Cleveland Performance Art Festival Collection
Dates: 1987-1999
Quantity: 128 boxes, 26 packages
Quantity: More than 2000 hours of Video recordings
Quantity: More than 6000 Photographs
Quantity: Sound recording Ephemera
Quantity: Photographic negatives
Quantity: Digital photographic images on various media
Quantity: Digital video images on CD-ROM's and DVD's
Abstract: Among the most significant U.S. collections pertaining to performance art, this collection documents the Cleveland Performance Art Festival. Begun in 1987 by Tom Mulready (i.e., Thomas Mulready), the Festival became a leading performance art festival in the U.S. Held annually in Cleveland, Ohio from 1988 through 1999, the Festival showcased more than one hundred artists local, regional, and international artists each season, including the Blue Man Group. Collection contains video recordings, photographs, playbills, original poster art, along with business records, artists submission materials, and other ephemera.
Identification: CPAF
Language: The records are in English.
Name: Tom Mulready, i.e. Thomas James Mulready, Jr.
Occupation: Performance director, management and training consultant Born:Grand Rapids, Michigan January 24, 1958
Education: BBA, Bowling Green State University 1980 Career: President Mulready Group, Cleveland Career
Related: Senior vice president National City Corp.; Director E-Commerce, Internet StrategyCreative
Works: Author - The Automatic Turnpike, l985. Author, director - videotape: This Is Performance Art, 1996; Director, videographer - business videotape training programs
Civic: Board of directors, founding director Performance Art Festival
Family: Son of Thomas James and Alice Marie Mulready
This festival began as experimental programming in 1987 known as the Cleveland Public Theatre Performance Art Festival. The following year the first annual Cleveland Public Theatre Performance Art Festival was inaugurated, incorporating regional, national, and international artists into shows spanning three or more weeks. The festival continued until its name changed to the Cleveland Performance Art Festival in 1992. In the mid-1990's programming expanded to include performances at other sites, including Dobama Theatre, Cleveland State University Art Gallery, Cleveland Center for Contemporary Art, and others.
| Date | Event |
|---|---|
| May 5 - May 15, 1988 | 1st Annual Cleveland Public Theatre Performance Art Festival |
| April 13 - April 30, 1989 | 2nd Annual Cleveland Public Theatre Performance Art Festival |
| April 11 - May 25, 1990 | 3rd Annual Cleveland Public Theatre Performance Art Festival |
| March 7 - March 31, 1991 | 4th Annual Cleveland Performance Art Festival |
| March 5 - April 5, 1992 | 5th Annual Cleveland Performance Art Festival |
| March 4 - April 19, 1993 | 6th Annual Cleveland Performance Art Festival |
| February 11 - May 1, 1994 | 7th Annual Cleveland Public Theatre Performance Art Festival |
| March 6 - April 24, 1995 | 8th Annual Cleveland Public Theatre Performance Art Festival |
| July 15 - September 1, 1996 | 9th Annual Cleveland Public Theatre Performance Art Festival |
| May 1 - May 11, 1997 | 10th Annual Cleveland Performance Art Festival |
| May 20 - 31, 1998 | 11th Annual Cleveland Performance Art Festival |
| April 16 - 25, 1998 | The Last (12th Annual) Cleveland Performance Art Festival |
These materials were collected by Thomas Mulready, founder of the Cleveland Performance Art Festival held yearly from 1988-1999. The Performance Art Festival was the largest event of its kind, attracting artists from around the world. Interested artists applied to be in the festival, sending audition materials (usually on) related to their proposed work. Jurors evaluated works based on artistic merits, cost, and feasibility.
The collection is divided into nine series as follows:
Restrictions on Access
No specific access restrictions. Contact Cleveland State University Special Libraries for operating hours.
Restrictions on Use
All pertinent copyright laws apply to reproduction of published materials in the collection; researchers must obtain permission from the copyright holder.
The following terms have been used to index the description of this collection in the library's online public access catalog.
Subjects:
Genres
Custodial History
The archives from each of the Cleveland Public Theatre Performance Art Festivals was selected, arranged and stored by founder Thomas Mulready until being transferred to the Michael Schwartz Library Special Collections.
Preferred Citation
Cleveland Performance Art Festival Collection
Acquisition Information
Collection acquired from Thomas Mulready and the Cleveland Performance Art Festival, 2005.
Processing Information
The collection was processed by Christopher Busta-Peck in 2005.
Complete folder (item) level listings for the collection are available. A Performance Art Archive Inventory and Shelf List is available online.
Series I: Cleveland Performance Art Festival Videos 1988-1999 24 boxes15 boxes BETA, VHS, HI-8
Series I: Cleveland Performance Art Festival Video Recordings
These videotapes provide a record of most of the Festival performances, usually from two camera angles.
Video recordings are filed by festival year. Each videotape is labeled with artist(s) name and (usually) performance title and duration.
Series II: Videotape Beta Masters 1988-1999 2 boxes Beta format videorecordings
Series II: Videotape Beta Masters
These include video recordings of interviews, television shows relating to the festival, and master recordings of for the 1988 Festival.
The series is stored original order of arrangement as described under scope and content.
Series III: Ephemera 1988-1999 7 boxes, 2 photograph albums, 1 painting, 1 sculpture (wax), theater blacks
Series III: Ephemera
This series includes t-shirts and caps printed for the festival. It also includes photographs of the festival from various years, videotapes, festival tickets, and works of art created by festival artists.
The series is stored original order of arrangement as described under scope and content.
Series IV: Artists Files 1988-1999 20 boxes audio cassettes digital images on CD-ROMS
Series IV: Artists Files
To appear in the Performance Art Festival artists applied by sending an application form and a five minute video clip of either a previous performance or of the work to be performed at the festival. Files were kept on all of the artists who applied to be in the Performance Art Festival, whether they were accepted or not. These files contain primarily application materials, photographs, newspaper clippings, books, and other textual explanatory material. They may also include audiocassettes, CDs and CD-ROMs, posters, correspondence between the artist and Mulready, and other items the artists felt would illustrate their entry. For the artists who enclosed envelopes with sufficient postage, the videos were returned. The rest of the videos have been retained and make up Series V of the collection.
Thomas Mulready felt that the geographical diversity of the applicants was significant. He noted the location of the artist's residence on the outside of the file. This information has been recorded here, for those items where it was recorded on the outside of the envelope. Over the years, many of the artists moved - thus different envelopes pertaining to a single artist may have different cities listed.
These files are in the order they were placed by Thomas Mulready. All files are in alphabetical order. Files pertaining to individual artists are ordered by the individuals last name. Of the files pertaining to groups, those with a named individual on the paperwork have the group name in bold, but are alphabetical under the named individual's last name. For groups without such an individual, they are arranged alphabetically by the name of the group. In situations where there were two people listed on the file, generally the first person is the one whose name the file is under.
The files pertaining to a given artist or group are often not all in the same place - this may be due to the submission of the application by a different individual, or one file being placed under the group name and another under the individual name, or due to confusions in alphabetization. For these files, the other relevant files within this series have been listed. In these cross references, material can be found under the artist's last name or the first word of the group name. Cross references are only to artist files, and not to other series.
Series V: Artist Video Recordings 1988-1999 14 boxes VHS NTSC tapes. Some recorded in PAL format (marked on labels).
Series V: Artists Video Recordings
Artists were asked to submit a five minute videotape with their application to the Performance Art Festival. This tape was to be either documentation of a previous work, documentation of a previous work, or a study of some sort for the work proposed for the Festival. The advisory panelviewed these five minute clips and used them largely as a basis for determining the score they gave each artist. The scores were added, with the highest scoring artists being invited to perform in the festival. Artists had the option of having their videos returned, if they enclosed a postpaid envelope. Most of the artists who enclosed a postpaid envelope had their tapes returned. Many of the tapes are longer than five minutes or contain additional material beyond the five minute clip.
The contents of each tape have been listed based solely on the labels on the tape and any information that may exist on a slipcase for the tape, if present. Some tapes only have the name of an artist on them and some only have a title, which is why some items on this list have only this information. The tapes have not been viewed to determine their contents or the condition of the recording.
Many of the tapes in this series are shorts or excerpts of longer works. When there was an indication that a tape contained an excerpt, that notation was copied to this list. Many of the tape labels contain additional descriptive information, including duration and other description.
Video recordings are filed by festival year. Each videotape is labeled with artist(s)name and (usually) performance title and duration. The tapes are listed by box, in the order that Thomas Mulready placed them in. This is primarily alphabetical, but there are some tapes that do not seem to be in the correct boxes. The tapes are not in any specific order within a given box - they are listed here alphabetically, by artist last name or by group name. When a recording is listed multiple times, it means that multiple copies were found in the collection.
Series VI: PAF Paper Business Files 1988-1999 14 boxes
Series VI: PAF Paper Business Files
The business files contain all of the files related to the business operations of the Festival. They also include press releases and other essential Festival documentation. The items listed below are the titles provided on the folders.
The series is stored original order of arrangement as described under scope and content.
Series VII: Various PAF Audio, Videos, and Photos 1988-1999 7 boxesAudiocassettes, VHS vidos, color photographs, black and white photographs, 35 MM slides
Series VII: Various PAF Audio, Videos, and Photos
This series contains assorted materials pertaining to the Performance Art Festival, mainly videos.
The series is stored original order of arrangement as described under scope and content.
Series VIII: Posters, Catalogs and Flyers 1988-1999 Miscelleaneous packages and boxes
Series VIII: Posters, Catalogs and Flyers
These are folded posters and catalogs for various Festival years. The posters often contain detailed information regarding festival events.
The series is stored original order of arrangement as described under scope and content.
Series IX: Packages of Flat Posters 1988-1999 26 packages, either in flat boxes, cardboard, or plastic covering
Series IX: Packages of Flat Posters
These are folded posters and catalogs for various Festival years. The posters often contain detailed information regarding festival events.
The series is stored original order of arrangement as described under scope and content.
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